Fast forward two years, and they are now presented as villains in a way no other team has since the late 1990s Yankees teams.
—
Ian Miller OutKick,
FOXNews.com,
3 June 2026
Simon was more interested in sociological dynamics about what makes a city tick than traditional heroes or villains, creating a complex portrait of humanity at its best and worst.
—
Derek Lawrence,
Entertainment Weekly,
2 June 2026
The overpowering moral authority of wronged women, #MeToo’s skeptics alleged, would allow cynical wrongdoers to weaponize claims of victimhood for their own gain.
—
Moira Donegan,
New Yorker,
9 June 2026
Greylord was a watershed moment in its use of eavesdropping devices and a mole to obtain evidence instead of relying on wrongdoers to become government informants.
One of the most innovative gangsters of the 20th century, Frank Lucas earned the title of Harlem drug kingpin in the late-‘60s and early-‘70s by importing high-quality heroin from Southeast Asia and selling it under the street name Blue Magic.
—
Kevin Jacobsen,
Entertainment Weekly,
6 June 2026
Sensing this once-great dynasty is in decline, the outback’s most powerful factions — rival cattle barons, desert gangsters, Indigenous elders, and billionaire miners — move in for the kill, with billions of dollars at stake.
Set in 1986, the story follows two brothers, Irwin and Gary Pearl, whose get-rich scheme to help clean up the Gowanus Canal ends in disaster after Irwin (Teller), a nebbish family man, angers Russian mobsters by unwittingly witnessing their criminal activity.
—
Ellise Shafer,
Variety,
17 May 2026
While Irwin is getting smacked around, two mobsters terrorize the boys in the car before kicking them out and driving off in it.
In the past decade, the leadership of the Kinahan organization has become rich and cosmopolitan, and their life styles have started to resemble those of international businessmen more than of street hoodlums.
—
Ed Caesar,
New Yorker,
30 Apr. 2026
The first pictures McCullin took were of hoodlums and down-and-outs, subjects that reflected his own hardscrabble background.
The characters were based on a real family of bookmakers and racketeers who once lived in England.
—
Sarah Moore,
Freep.com,
5 Mar. 2026
When Ferrara was starting out, private investment in low-budget films was spurred by tax loopholes, a way for doctors, dentists, and racketeers to get rid of extra cash that would otherwise wind up in Uncle Sam’s grubby mitts.
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